Emma Phalippou is a jewelry designer. Her work is grounded in rigorous historical and mythological research, combined with a strong artistic sensibility. Trained at the École Boulle, she earned a CAP in Art and a DN MADE in Jewelry Art and Techniques, solidifying her technical and conceptual skills. With her gaze turned toward the cosmos, she participated in a competition at the Cité de l’Espace in Toulouse. She then chose to travel in the footsteps of the scientists who inspire her. India allowed her to explore ancestral techniques such as stone cutting, enameling, and blue pottery. Working alongside jeweler Karl Mazlo, she continued her training in Japanese techniques, notably Damascus steel, gemmology, and wood carving.

Léna Barbot is a French jewelry designer specializing in contemporary jewelry. After initially studying social innovation design, she enrolled at École Boulle in 2022, where she developed a practice blending traditional craftsmanship, innovative materials, and textile experimentation. Holding a CAP in Jewelry (2024), she also trained in ceramic jewelry and clothing upcycling under Auriane Blandin-Gall. Her work, driven by research into body adornment and innocence in the face of the adult world, has been presented at Parcours Bijoux in Paris, Brussels Jewellery Week, and Munich Jewellery Week, as well as at Destination Bijou in Cagnes-sur-Mer.

After completing an apprenticeship in traditional jewelry-making, Noélie Michel enrolled in the DN Made program at the École Boulle, which allowed her to combine technical expertise with a critical exploration of jewelry design and the ways in which jewelry can serve as a vehicle for political ideas. This is how storytelling became the foundation of her creative process. During her studies, she trained at various jewelry workshops and also traveled to India to learn enamel work and gemstone cutting techniques.
At the same time, she collaborated with fashion designer Greg Tranchat on a collection that was showcased at Milan Graduate Fashion Week, which steered her toward fashion and performance jewelry. It was during her final year at École Boulle that storytelling became the foundation of her creative process. Through her jewelry, Noëlie sheds light on our contemporary concerns: democracy, eco-feminism, and anti-fascism. She is currently continuing her research in the DSAA Métiers d’art program at École Olivier de Serres.

Born into a family of artisans in Haute-Loire, Maud Machabert discovered jewelry-making in Saint-Étienne before enrolling in the DN MADE program in Jewelry Arts and Techniques at the École Boulle, where she also earned a CAP. She recently completed her training with a CAP in gem setting. Trained in India in stone cutting and enamel work, she has developed a practice informed by family history and memory, conceiving jewelry as a fragment of history and tradition. Winner of the 2026 Prix Avenir Métiers d’Art, she has exhibited her creations at Parcours Bijoux, Brussels Jewellery Week, and Munich Jewellery Week.

A jewelry designer originally from Lyon, Gabrielle Cadon developed her craft at the École Boulle in Paris. Her DN MADE degree showcases a distinctive aesthetic where intimacy and everyday objects intertwine, giving rise to jewelry that explores the sensory perception of the surrounding space. In 2026, Parures, her final-year project, examines our relationship with the bed. Trained under Tzuri Gueta and Olivia Ferrand, she discovered textiles, a passion she pursued during an Erasmus exchange in Idar-Oberstein. A stay in India enriched her perspective on the diversity of jewelry. She also refined her approach with Alexandra Baum. Her work was presented at Brussels Jewellery Week (2024) and in Munich (2025). She continued her studies in 2026 with a DNSEP in Object Design in Saint-Étienne.

Guillaume Vivier, a jewelry artist originally from Corrèze, lives and works in Paris. He graduated from the jewelry workshop of the DNMADe program at the École Boulle in 2026.
His work is rooted in a reflection on his origins, explored through the lens of mourning, memory, and heritage, and expressed through the mineral quality of the materials. His creations thus straddle the line between wearable objects and overt jewelry.
His approach draws on diverse experiences, notably an exchange program at the Arch College in Jaipur, India, in 2024, where he discovered the work of gem cutters, enamelers, and ceramicists. He further developed his skills during internships with ceramist Maxence Jourdain in 2024 and gem cutter and marquetry artist Hervé Obligi in 2025. His work was presented at Jewellery Weeks in Brussels in 2024 and Munich in 2025.

Elise Madou is a goldsmith and jewelry designer who infuses her creations with numerous iconographic references drawn from myths and legends. She advocates for craftsmanship that engages with science and the evolving truths of different eras and cultures.
After an introduction to the arts and crafts in the haute couture embroidery workshops of Lesage, she went on to study at the Atelier Yves Gratas Héritage, with designer Chloé Valorso, and at the École Boulle for three years, graduating with a CAP (Certificate of Professional Competence) as well as a National Diploma in Arts and Crafts and Design, specializing in Jewelry and Ornamental Objects.
Combining alchemy and craftsmanship, Elise draws her creativity from her grimoires, beakers, retorts, and tools of all kinds. Her pieces have been featured in international contemporary jewelry exhibitions, such as her work *The Quest* during Munich Jewelry Week at the Andere.i gallery; in Brussels at the Non Ordinary Jewelry and De Markten galleries; and in Paris at the École Boulle studio, transporting visitors into a world that is both mystical and surreal.

Faustine Ege, a French-born jewelry artisan based in Paris, trained at the DNMADE jewelry workshop with the aim of refining her craftsmanship and exploring contemporary jewelry. She earned her CAP in Jewelry as an independent candidate and, at the same time, trained in cold glass finishing, engraving, electroforming, and stone setting. This combination of disciplines provided her with a specialized, experimental education and sharpened her creative thinking.
Today, Faustine explores the various types of women’s jewelry. From childhood to adulthood, she examines the materials and forms, drawing on a sociological and theoretical analysis of representations associated with the female gender.
In 2023, her work was exhibited internationally at Munich Jewelry Week 2023 and at the Parcours Bijou in Paris.

Originally trained in featherwork, Ève Célérier went on to earn her DNMADE degree in the jewelry workshop at École Boulle. With a keen eye for materials, nuances, and volumes, she developed the “Entre nous” project, a collection of jewelry intended for the extended family, with cases made from eco-resin molds that contain manufacturing scraps. Designed to be handled, these pieces invite people to come together. After gaining professional experience in various design houses and workshops, Ève had the opportunity to assist jewelry designer Julia Bartsch for a year through the BDMMA’s “Savoir-faire en transmission” program.

With the precision of a goldsmith and the boldness of a custom car tuner, Clément Jeanneau creates wearable objects that explore form, handling, and the stories they evoke. During his DNMADE studies in the jewelry workshop at École Boulle, he was awarded a grant through a partnership with the Etrillard Foundation and created “Anamorphée,” a stone marquetry set utilizing the principle of anamorphosis to depict Narcissus, inspired by an 18th-century tapestry. When placed on its pedestal, it transforms into a contemplative work, inviting the viewer to reflect on their perception and the very essence of the object. This exploration of the duality of jewelry examines the blurred boundaries between everyday ergonomic use and pure art. Today, Clément continues his work as a jewelry designer specializing in dental jewelry at the Yell lab studio.