MY JEWELRY IS A POETIC ACT

I do not seek so much to represent the visible as to express emotions
That is why I am fascinated by “living” materials, imbued with a past that I take pleasure in transforming.

I aim to provoke an immediate and human experience, one that reconnects each person with their sensitive side.
By wearing my jewelry, each person becomes the subject of the experience.

I conceive jewelry as a marker of identity, a means of communication able of signifying as much as it adorns. My creations, often minimalist, act as revealers of the body and transform into inhabited sculptures.

Balance, sensoriality, notion of pleasure, and coherence between bodily and extra-bodily space nourish my research. I explore the art of connection between object and movement, gesture and emotion, between the artist (myself) and the person making the object their own.

As a multidisciplinary artist, my work combines drawing and writing within an artistic reflection exploring the “poetic plastification” of society, materializing a time both archaeological and “futurible” .

My works simultaneously embody the memory of the past, the presence of the present, and a vision of the future.My creations express the fluidity of the contemporary world, marked by historical, psychological, and geological wounds, revealing new forms of “poly-bodies”: a conception of art not in situ, but in tempore.

My approach to jewelry is akin to that of an architect.

It reflects a constant pursuit of balance—between forms, materials, and colors—and a search for complementarity. Nature is my primary source of inspiration.

Jewelry is not just an ornament; it represents a link between the body and the world, an object imbued with meaning. This connection is a quest: that of recognizing the individual’s place within a group.

In recent years, I  conceive my jewelry as chapters of life, telling my own personal relationship with the world.