Jewellery: Making Art with Body Matter (20th–21st centuries)
21
October
22
75001 , PARIS
Informations
registration with Sartoria (sartoria.contact@gmail.com). It is possible to attend just one day or a single talk. The event is also available online.
This international symposium – entitled ‘Jewellery: Making Art with Body Matter (20th–21st centuries)’ – is part of the recent surge in research into jewellery and, more broadly, into adornment and fashion. By bringing together PhD students and researchers from a range of disciplines, artists and jewellery professionals, the aim is to shed light on this multifaceted object, which remains under-researched in France. One of the current issues that this scientific event aims to address is the need to establish a global field of research that enables jewellery to be understood as a coherent subject of study. Through the six panel discussions scheduled over these two study days, speakers are invited to examine the common definition of jewellery – as part of the ‘cultures of appearance’ [cultures des apparences] – by approaching it through the lens of the body and its materiality.
Artists
Lucileee Bach, PhD in Art History (University of Paris IV Sorbonne, France)
Dr. Roberta Bernabei, Associate Research Fellow and Director of the PhD Programme of the School of Art and Design ( Loughborough University, UK) ; and deputy Chair of the Association of Contemporary Jewellery in Italy.
Annarita Bianco, PhD candidate in Design for Made (University of Campania Luigi Vanvitelli, Italy)
Dr. Jonathan Boyd, Head of Applied Art at the Royal College of Art (Jewellery and Metal MA and Ceramics and Glass MA), London (UK).
Carla Castiajo, jewellery artist and lecturer (Lusófona University of Porto, Portugal)
Elsa Dos Santos, Phd candidate in Art History (Paris Nanterre University, HAR, France)
Dr. Anaëlle Gobinet-Choukroun, PhD in Art History (University of Strasbourg, France), Research Fellow at the École des Arts Joailliers (Paris)
Mariambibi Khan, lecturer in the Creative Jewellery and Metal Design Division at Stellenbosch University (South Africa)
Zoé Kiner-Wolff, PhD candidate in art history (University Paris 1 Panthéon-Sorbonne, ED 441/HiCSA, France), member of Sartoria association.
Emmanuel Lacoste, jewellery artist, who graduated from AFEDAP (Paris, France)
Dr Fernando Ligue Engamba, PhD in Archaeology and Heritage Studies (University of Ngaoundéré, Cameroon).
Dr Maria Maclennan, Senior Lecturer (Associate professor) (Teaching and Research) in Jewellery and Silversmithing at Edinburg College of Art, University of Edinburg.
Dr. Nichka Marobin, Italian art historian specializing in Dutch and Flemish art history in independent curator, who graduated from the Faculty of Arts at the University of Padua (Italy)
Helen McCormack, Reader in Art and Design History at The Glasgow School of Art (UK)
Marion Mouchard, PhD candidate in art history, (Paris IV Sorbonne University, France)
Samira Oulaillah, PhD candidate in art history (University Paris 1 Panthéon-Sorbonne, ED 441/HiCSA, France)
Helena Renner, Jewellery artist, HochSchule Trier University of Applied Sciences (campus d’Idar-Oberstein, Rhénanie-Palatinat, Allemagne)
Saskia van Es, art historian, lecturer (theory and history of jewellery) at Sint Lucas Antwerpen.
Silvia Weidenbach, lecturer in Silversmithing & Jewellery at The Glasgow School of Art and a visiting lecturer at HEAD Haute École d’art et de Design Genève, and at the London College of Fashion.
Anna Wójcik-Korbas, Master’s degree in Art History at the University of Wrocław (Poland)
Diana Plachendovskaya, PhD candidate in art history (EHESS, France)
