Karin Herwegh is a Dutch visual artist. Her work has developed from jewelry and small silver figures — made using the lost-wax method — to larger, (wearable) sculptural objects in wood. Avoiding machinery, she uses only hand tools, which, in addition to direct contact with the material, also determine the pace at which an object is created. Her work stems from one overarching idea: la condition humaine. It has a narrative character without telling a specific story. A strong, nuanced style gives the figures great expressiveness and, at the same time, a sense of tranquillity. Herwegh has presented her work in galleries, fairs, and biennials in Munich, Paris, Milan, London, Antwerp, Amsterdam, Tokyo, and Bangkok.

Cynthia Nge is a Malaysian–New Zealand artist based in the South of France. With a formal background in graphic design and applied arts, she worked as a visual designer for over thirteen years before returning to a more tactile practice rooted in working by hand, primarily with metal and ceramics. Her work developed from her jewellery line, Minicyn, founded in Paris, and remains deeply influenced by nature, design, and antiquity. Moving between disciplines, she combines an ongoing studio practice with the creation of unique pieces conceived for thematic exhibitions.